So, we the Babiez finally did our debut in Studio A.I.R.!
Audience's (very small) reactions were very good and they said they could feel our shit. I was happy about it!
But I felt that mapping out the piece was kinda stiff for me, because there wasn't much freedom involved. My idea of making the music "elastic" (sounding different every time) obviously didn't work out for the other two Babiez.
...................................
Sunday (April 6) finally came, the tribute concert to Mr Kouguell was finally happening!
Nick was still gloomy in the morning when he came to get his music. He's been scary ever since we started to rehearse the shit. To tell the truth he scared the shit outta my friends. He didn't scold anyone, but just by looking at him was scary enough...
Mozart Dissonance was kinda shitty, Chen Han was toooo nervous that he kept on fucking up his part in every single movement! We all felt like shit after we played it. But I can't blame that guy, he's tried his best, and he was a last minute replacement. Respect!
Luckily my Franck Sonata was good (at least, I thought so). I dunno why I could bring out all my musicality in that one. I still couldn't get out of that emotion after I played it. It was some powerful, almost religious shit! I felt really drained after that...
The Vaughn Williams was nothing much to shout about, but it was nice... (at one point I went blank and forgot to come in, Chen Han was cold-sweating...)
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2 comments:
Diuuu... not to say I was not into "elastic" playing.. but actually for a first time it's always good to play it safe a bit. Then once we get a little more comfy, we can stretch. Yes?
no.
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