And then it was snowing...

Can't believe this shit, SNOWING?!! What time of the year is it?!! April!!

GOSH!!!!!!!!

But I had quite an exciting day yesterday. I finally get to show joget to the Brazillian Guitar Duo, to find out how similar it is with Brazillian music. They were totally excited, not just because they sound similar, but Joao told me that there is actually ONE kind of fishermen in Brazil that play beats like this! And Douglas agreed too!

Then we started to jam, gave me a taste of what bossa nova should really feel like. They told me all that square bossa nova that I heard back home is actually afro-cuban bossa, not the real deal. And I totally feel that: They don't stress on the first beat, instead, they LEAN towards the 2nd beat (a little anticipated) and pull the tempo back on the 3rd and the 4th beats.

I guess it's the lilt that really made joget and Brazillian music sound similar.

Later after the concert, I showed my friend, a Portuguese who is currently a composition professor in NYU, my joget CD. He wasn't as excited as the duo, but nonetheless, he loved the sound of that music. When I told him this is a Portuguese influenced dance music in Melaka, he said he can hear the Portuguese influences.

Now, from the reaction of both parties, I could tell the Brazillians feel closer to the music than my Portuguese friend does. My theory is, this kind of music "migrated" to both Melaka and Brazil around the same time and grew roots into the ethnic culture there, got localised. But as for Portugal, maybe it is just a part of an evolving process for their music, and it didn't last too long.

Yeah babe, it felt so good doing "cultural exchange".

Oh yeah, before I went to Miller to perform with POA, I was in 42nd St Times Sq. Station. I saw these amazing Afro-Cuban street musicians, playing some amazing shit. The guitarist started playing a riff, and so u thoght u know where the down beat was right? Then when the percussionist entered with the clave, everything that you thought was right COMPLETELY fell out of place. The clave came in in the MIDDLE of the fucking riff!! That shit strikes me to the maximum! Hell yeah!! Not just that! Later they had a kick that came in in ANOTHER different part of the clave, gosh!! I dunno how them Cuban guys' brains work, but they sure is complicated.

After POA concert, I went to see L'Attitude feat. Richard Bona in the Cutting Room. Holy crap man, Richard is some motherfucker, both on the bass and voice!! I get to see him for real at last!!

He can sing while improvising on his bass, singing unison with his bass, without missing any single note. When you think his voice is so high and angelic with his falsetto, all of a sudden, he can sing so low, as low as his bass. I think he is using similar kind of technique with the one Bobby McFerrin is using. It's a kind of "harmonics" instead of real voice. It was fascinating.